Sunday, November 24, 2019 - 3:00pm
520 Royal Palm Blvd, Vero Beach, FL 32960
FREE CONCERT - RECOMMENDED DONATION OF $20
OFFENBACH “Belle nuit” from Les Contes d’Hoffman
GOUNOD “Ah, je ris” from Faust
PUCCINI “Chi il bel sogno” from La Rondine
BELLINI “Casta diva” from Norma
BELLINI “Qui la voce” from I Puritani
DELIBES “Dome epais” from Lakme
VERDI “E strano… Ah forse lui…Sempre libera” from La Traviata
VERDI “Tu che le vanita” from Don Carlo
PUCCINI “Vissi d’arte” from Tosca
PUCCINI “Un bel di” from Madama Butterfly
STRAUSS “Ist ein Traum” from Der Rosenkavalier
Mary Anne Kruger, soprano
Amy Cofield, soprano
Jean Black, piano
Amy Cofield and Mary Anne Kruger both live in Brevard County and have both enjoyed international careers as opera singers. While Mary spent most of her career in Europe singing well over forty glorious roles such as Madama Butterfly and Salome, Amy has performed all over the world, primarily in the U.S., Europe and Asia, often being sought for her Violetta. They come together now to bring you a glorious night of grand opera featuring the works of Puccini, Verdi, Bellini, Gounod and other master composers of the form. Enjoy this FREE program of exquisite beauty, from the mesmerizing bel canto of Norma to the heart-breaking drama of Tosca.
American soprano Mary Anne Kruger graduated with a Master of Music degree from Indiana University where she studied voice with world-renowned voice teacher Margaret Harshaw. She then went to Germany where she established an impressive repertoire of over 40 major operatic and concert roles. Her repertoire spans in vocal range from Pamina (Die Zauberflöte) to Salome, and in stylistic range from Poppea (L’Incornazione di Poppea) to Anne Trulove (The Rake’s Progress), as well as some world and German premieres. Among innumerable accolades, Opernwelt called her Contessa (“Le Nozze di Figaro”) “dazzling”, and Orfeus International declared her Salome to be “worthy of the greatest houses.” She built her repertoire primarily as a member of the Hessisches Staatstheater Darmstadt, but she has performed in over 20 European theaters including the Bayerische Staatsoper- Nationaltheater in Munich, Staatstheater Stuttgart, the Latvian National Opera and Theater Basel.
Her prizes include a nomination in the category “Best Singer” in the Opernwelt Jahrbuch for her portrayal of Alcina. She was awarded the role of Donna Elvira in the Don Giovanni production at the Athens Concert Hall directed by Ruggiero Raimondi and conducted by Gustav Kühn. The “Sonderpreis der Wiener Staats-und Volksoper” at the Belvedere Competition secured for her a performance as Hanna Glawari (Die Lustige Witwe) at the the Wiener Volksoper. She was also awarded a DAAD scholarship (Deutscher Akademischer Austauschdient) to study at the Hochschule für Musik in Munich. She currently lives in Satellite Beach with her husband and two dogs.
Soprano, Amy Cofield, is a highly sought after performer and teacher. Praised by the New York Times for her "lovely, rich tone," Ms. Cofield has performed to critical acclaim across the U.S. and in Italy, France, Croatia, Spain, Portugal, Switzerland, Austria, England, Santo Domingo, Guam, Taiwan and Japan. Highly regarded for her “technical facility,” her “beauty of interpretation” and an “arresting presence,” her operatic roles have included Violetta, a role that marked her debut at Houston Grand Opera where she covered Renee Fleming’s Traviata, Cleopatra, Micaela, and Lucia di Lammermoor with Opera Roanoke, Elcia (cover) in Rossini’s Moses in Egypt at New York City Opera, Donna Elvira in Don Giovanni with Nevada Opera, Rosalinda in Die Fledermaus with Greensboro Light Opera (Eastern Music Festival), Violetta with Annapolis Chamber Orchestra and Chorale, Mimi, with Pro Cantus Lyric Opera (TX), Cunegonde and Susannah with Fort Worth Opera, Musetta and Pamina with Knoxville Opera, Gilda, Norina and Violetta with Lyric Opera San Antonio, and Konstanze and Violetta with Teatro Lirico D'Europa.
Amy’s busy concert schedule has included performances of Beethoven’s 9th Symphony and Brahms’ Requiem with the U.S. Naval Academy, Orff's Carmina Burana with Virginia Symphony, Handel’s Messiah with Roanoke Symphony Orchestra, Einhorn's Voices of Light, Haydn’s Creation and Handel's Messiah with Annapolis Chamber Orchestra and Chorale, Ravel’s Sheherazade with Norfolk Chamber Consort, Mendelssohn's Elijah and St. Paul Oratorio, Haydn's The Seasons, Bach’s St. John Passion, Handel’s Judas Maccabaeus and Beethoven’s Mass in C with Southern Nevada Musical Arts Society and in works from Mozart’s Requiem and Mass in C Minor, to Handel’s Messiah and Brahms’ Requiem with Garden State Philharmonic and Fort Wayne Philharmonic. In addition Amy has appeared with Opera Camerata of Washington, Norfolk Chamber Consort, Virginia Arts Festival, Festival Chamber Music in recital at Carnegie’s Weill Recital Hall and with The Masterwork Chorus (NJ) in Handel’s Messiah at Carnegie Hall.
Recent engagements included the role of Violetta in Opera Roanoke's production of Verdi's La Traviata, and a world premiere in NY, performing the role of Belinda in the opera/oratorio, The Rape of the Lock (Alexander Pope), by NY composer Deborah Mason, a return to SNMAS for Mendelssohn’s Elijah, to Roanoke Symphony Orchestra for Handel’s Messiah, and a debut with Tulsa Symphony performing Brahms’ Requiem. Upcoming engagements include recitals in Maine and Virginia, Mozart’s Grand Mass in C Minor at St John’s Episcopal Church (Roanoke, VA), Handel’s Messiah with Annapolis Chorale and Chamber Orchestra, and Haydn’s Creation with Roanoke Symphony Orchestra.